nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Charlie Bradbury(/Becky Rosen)
length: ~300 words
content notices: references to homophobia and workplace sexual harassment
summary: “This ain't the first time I've disappeared. You think my name is really Charlie Bradbury? Please.”
notes: I do not consider “Season Seven, Time for a Wedding” to be canon and reject it entirely from my personal interpretation of Becky Rosen. Originally left as anonymous giftfic for Ashley on Tumblr.
ao3 crosspost: here

She’s on a bus out of town, going going gone. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Lisa Braeden&original female characters
length: ~400 words
content notices: none?
summary: Lisa, studying to become a yoga teacher, making a home.
notes: Written as a [livejournal.com profile] rarewomen treat for [archiveofourown.org profile] EllieMurasaki.
ao3 crosspost: here

Kitchen and food mean family to Lisa, whatever “family” means. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: (Amelia&)Claire Novak
length: ~600 words
content notices: themes of loss/abandonment; also, although this fic doesn’t contain actual self-harm, deliberate or accidental, it does contain some highly risky behaviors which might be triggering and which are treated within the story as dangerous/alarming.
summary: Claire doesn’t consider being released from possession an escape or a mercy. She’s never had anything like Castiel in her life, and she doesn’t know how to continue as purely human.
notes: Some credit for influence is due to [tumblr.com profile] crowleyshouseplant & [tumblr.com profile] applesarefuckinghealthy, as well as others whose names I’ve forgotten, whose Claire-related headcanons have shaped my opinion of her. Title from Sara Teasdale’s “I Am Not Yours”. Written as a [livejournal.com profile] rarewomen treat for [archiveofourown.org profile] xenoamorist.
ao3 crosspost: here

Claire curls and uncurls her fingers, remembering divine light spearing out of them. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: mature audiences
characters/pairings: Sarah Blake/Bela Talbot
length: ~1500 words
content notices: sexual content; mentions of minor original character deaths
summary: Bela isn’t used to having anyone other than her cat waiting for her. Sarah isn’t used to having someone to wait for.
notes: written for a quote prompt at [community profile] spnfemslashexchange. title from “The Colors of My Life (Reprise)” from Barnum: “And if from by my side / My love should roam, / The colors of my life / Will shine a quiet light / To lead him home.”
ao3 crosspost: here

Bela comes back from California, from Paris, from British Columbia, from the Caribbean. She comes back tanned, red-haired, paler again. She brings postcards but never stories. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Bela Talbot/Sarah Blake
length: 500 words
content notices: brief sexual content
summary: The world where the supernatural overlaps with the antiques trade isn’t a large one.
notes: drabble sequence written for [tumblr.com profile] applesarefuckinghealthy.
ao3 crosspost: here

Sarah watches her go until she disappears into the light beyond the doors. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Anna Milton/Ruby
length: ~450 words
content notices: really not sure how to phrase this, but Anna is sort of displeased with how her self is interacting (through her body) with everything else. dysphoria issues?
summary: Feelings, cleverly disguised as wingfic. It’s a lot more about the feelings than I intended it to be, though.
notes: do I know when in canon this is set? no. do I care? no. why do demons have wings? because. written for [livejournal.com profile] spnfemslashweek, at the suggestion/prompt of [archiveofourown.org profile] crowleyshouseplant (who also acted as beta). also for #06 (“Gentle”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines, and for #29 (“unguarded touch”) of my buffet table from [livejournal.com profile] fc_smorgasbord. title and cut-text from Poets of the Fall’s “War”.
ao3 crosspost: here

So will you please show me your real face, Draw the line in the horizon, ’Cause I only need your name to call the reasons why I fought. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
I thought about posting them separately, but the headers would be longer than the ficlets—these are for the "Niblets" challenges, where fics must be 100 words or less. Here's the AO3 collection thus far, and here's the LJ/DW backup! Links for the mini-headers go to the original prompt.

  1. original character: God [spoilers for 7.01] )

  2. Anna/Ruby: questions )

  3. Eve: beloved )

  4. Anael: cry )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Uriel, unnamed blonde angel (4.16); gen
length: ~400 words
content notices: character death; canon-typical violence
summary: Humanity and all its horrors are the creation of Elisheva’s Father, and she accepts them for what they are.
notes: written for the prompt “Uriel and the nameless blonde angel, right before she dies” at [community profile] spn_bitesized and for #9 (“Sister”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines. title from Shakespeare’s Twelfth Night.
ao3 crosspost: here

She can’t quite understand the sense she’s getting from him, something like righteous wrath but nothing like it at all, something like— )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Bela Talbot/Sarah Blake
length: ~750 words
content notices: one line may imply possible consent issues in the history of a cursed item; mentions of minor OC deaths
summary: a tapestry with an unsettling history comes into Sarah Blake’s possession, but this time she knows better than to pretend nothing’s wrong.
notes: written for the prompt “Bela/Sarah Blake, tapestry” at [community profile] spn_bitesized, for #37 (“Art”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines, and for #21 (“the ravages of time”) of my buffet table [LJ|DW] from [livejournal.com profile] fc_smorgasbord. title from Tennyson’s “The Lady of Shalott”: “Out flew the web and floated wide / The mirror crack’d from side to side / “The curse is come upon me,” cried / The Lady of Shalott.”
ao3 crosspost: here

The tapestry is beautiful. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Ash/Jo Harvelle
length: ~900 words
content notices: mild language
summary: Jo has plans for her life.
notes: written for an anon on Tumblr because we accidentally incepted ourselves with this ship. title from the Beatles’ “The Long and Winding Road”.
ao3 crosspost: here

The first time Jo kisses Ash it surprises the hell out of her. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Claire Novak, others, gen
length: ~1300 words
content notices: mentions of (canonical) violence; reactions to canonical loss of family member. I feel like there’s something else, but I don’t know what it is or how to verbalize it.
summary: Not all of Claire’s memories of angels are nightmares.
notes: Claire, whose main experience with Castiel was in her own body, thinks of Cas as “she”; I apologize for any confusion. partly inspired by the vessel-angel connection mentioned in 5.03 “Free to Be You and Me” with regard to Claire’s experience. written for #04 (“Consent”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines. title from Joni Mitchell’s “A Case of You”: “Surely you touched m[y soul] / ’cause part of you pours out of me… / Oh, you’re in my blood like holy wine, / you taste so bitter and so sweet…”
ao3 crosspost: here

She remembers that it felt like the drop ride at the carnival, freefall, but a hundred times more so. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: mature audiences
characters/pairings: Ruby, gen
length: ~2500 words
content notices: torture, imprisonment, general Hell-related imagery; reference to OC deaths (accident and suicide); some language; alternate universe.
summary: Hell wants Sam Winchester, and it’s found a perfect way to get him. Or, the AU where Ruby—the real Ruby—was never working with Lilith.
notes: part two of the Unholy Alliance ’verse. title from Paradise Lost, by John Milton—“Long is the way / And hard, that out of Hell leads up to Light.” written for #05 (“Pain”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines and for #27 (“through the fire”) of my buffet table [LJ|DW] from [livejournal.com profile] fc_smorgasbord.
related fanworks: [personal profile] alexseanchai has written “not all that glitters”, a missing scene/outsider POV.
ao3 crosspost: here

She had always liked rubies, the bloody glint of them. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Mary Campbell, Samuel Campbell, original characters; gen with very briefly implied Mary/OMC
length: ~1500
content notices: episode-style casefic (skip detailed warning) mention of multiple original character deaths by drowning, implications that those characters were then eaten, attempted drowning of the viewpoint character, monster death by stabbing; brief strong language
summary: Mary and a cousin go on a hunt; the cousin is not helpful.
notes: for the prompt “Mary, not a damsel in distress (however much distress she might actually be in)” at [community profile] fic_promptly and for #40 (“Danger”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines. cut text is from Disney’s Hercules.
ao3 crosspost: here

“I’m a damsel. I’m in distress. I can handle this. Have a nice day!” )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: general audiences
characters/pairings: Becky Rosen, OFC; mention of metafictional Dean/Sam in the context of the Carver Edlund books.
length: ~400 words
content notices: none?
summary: Becky starts a charity auction for a fandom friend inconvenienced by the apocalypse.
notes: written for the prompt “Becky, blog” at [community profile] fic_promptly and for #31 (“community”) of the Women Are Awesome prompt table at [community profile] hooked_on_heroines. title from Vienna Teng’s “Transcontinental, 1:30 A.M.” usericons from [livejournal.com profile] passing_girl; they’re available for public use, and I assumed this counts. any resemblances to actual fans are entirely coincidental and unintentional.
ao3 crosspost: here.

redefining brotherly love (samlicker81) wrote, )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Anna Milton, Chuck Shurley, Jo Harvelle, brief others; gen. (Mostly Anna.)
length: ~3200 words
content notices: canon-typical violence; mention of (consensual) sex between high-school students of unspecified age; offscreen minor OC suicide; brief language; AU.
summary: Anna runs before she’s taken off to be reprogrammed, and hides herself in humanity.
notes: part one of the Unholy Alliance [Ruby 1.1] ’verse. one line of dialogue is taken from 4.21 “When the Levee Breaks” (written by Sera Gamble). title & cut-text from Francis Thompson’s poem “The Hound of Heaven”: “Across the margent of the world I fled / And troubled the gold gateways of the stars, / Smiting for shelter on their clangèd bars;”
ao3 crosspost: here

to all swift things for swiftness did I sue; / clung to the whistling mane of every wind )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: mature audiences
characters/pairings: Michael, Anna Milton, John Winchester; gen.
length: ~800 words
content notices: non-graphic depictions of torture; major character death; canon-typical violence.
summary: Michael doesn’t understand Anna, but he condemns her anyway.
notes: title from Milton’s Paradise Lost: “Freely we serve, / Because we freely love, as in our will / To love or not; in this we stand or fall.” betaed by the incomparable [livejournal.com profile] lady_ragnell, who continues to cross fandom lines for me to make sure I make sense.
ao3 crosspost: here

She will repent before she is destroyed, and Michael has faith in the abilities of the ones seeking to purify her. )
nonisland: the Impala, with text "the winding road is home" ([SPN] they always had a home)
fandom: Supernatural
rating: teen+ audiences
characters/pairings: Castiel, Dean Winchester; probably gen.
length: ~1100 words
content notices: spoilers through 6.22. some language. brief and non-graphic mentions of (canonical) torture and character death.
summary: Castiel receives a sign.
notes: beta by the lovely [tumblr.com profile] pinkwrites. title (& cut text) from lyrics to the song “Let It Bleed” by the Rolling Stones. some tiny fragments of dialogue have been taken from 6.20 “The Man Who Would Be King” (written by Ben Edlund). the entire fic also owes a great debt to 5.04 “The End” (also written by Edlund; I am not sure whom to credit for the concept), without which it would likely not have come into existence.
ao3 crosspost: here

well, we all need someone we can lean on / and if you want it, you can lean on me )

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